“Young Money Everygirl In The World Lyrics” – this search term likely brings you here because you’re a fan wanting to understand or simply read the lyrics of this popular track. As part of our exploration of trending topics and cultural moments at money-central.com, we delve into the lyrical content of “Every Girl In The World” by Young Money, featuring Lil Wayne, Drake, Jae Millz, Gudda Gudda, and Mack Maine.
This song, released as part of the collective’s catalog, is a bold anthem of admiration, or perhaps aspiration, towards women globally. The lyrics, delivered by some of the biggest names in hip-hop, are straightforward and explicit in their appreciation. Let’s break down the verses and chorus to understand the message and lyrical style.
Verse 1: Lil Wayne
Lil Wayne kicks off the track with his signature playful and provocative style. His verse is filled with metaphors and boasts about his sexual prowess and desirability. Lines like “I like a long haired thick red bone” and “Open up her legs then filet mignon that pussy” are classic examples of his explicit and often controversial lyrical content. He establishes the central theme of the song – a desire for many women. The verse continues with Wayne asserting dominance and confidence, typical of his persona.
Chorus: Young Money (Multiple Artists)
The chorus is catchy and repetitive, emphasizing the core message: “Cause we like her / And we like her too / And we like her / And we like her too.” This repetition reinforces the collective appreciation from Young Money towards women. The simple and direct nature of the chorus makes it memorable and anthemic. The line “And she like us too” adds a reciprocal element, suggesting mutual attraction.
Verse 2: Drake
Drake’s verse offers a slightly different perspective, though still within the same thematic realm. He touches upon the lifestyle associated with fame and success, mentioning “partyin’ and fashion.” Drake’s lines “Every single night I have a dream that I am smashin’ / Them all” and “Young Money man this shit so timeless” highlight the aspirational and perhaps fantastical element of the song’s premise. He acknowledges the abundance of choice and attraction he experiences, a common theme in his music.
Verse 3: Jae Millz
Jae Millz’s verse continues the explicit and direct approach. He broadens the scope of desire to various categories of women: “Every model every singer every actress every diva / Every house of diddy chick every college girl every skeezer / Stripper and every desperate housewife.” This list is exhaustive and emphasizes the “every girl in the world” concept, albeit in a hyperbolic and somewhat objectifying manner.
Verse 4: Gudda Gudda
Gudda Gudda’s verse brings in a more descriptive and personal touch. He lists physical attributes he finds attractive: “caramel skin long hair thick ass.” He uses specific examples like “butter pecan Puerto Rican” to showcase his diverse taste. The “Bill Clinton” and “Hilary can Rodham too” lines are playful and referential, adding a layer of pop culture to his verse.
Verse 5: Mack Maine
Mack Maine’s verse is filled with name-dropping of famous actresses and personalities: “Sanna Lathan Megan Good Angelina Jolie Hah / D Woods For free suites I’d give Paris Hilton all-nighters.” This name-dropping adds a celebrity-focused dimension to the desire expressed in the song, aligning with the glamorous image of Young Money. The verse concludes with further explicit and somewhat controversial lines, maintaining the song’s overall tone.
Conclusion
“Every Girl In The World” by Young Money is a straightforward and explicit expression of attraction and desire. The lyrics, delivered by each artist in their signature styles, collectively contribute to the song’s central theme. While the lyrical content is clearly not focused on finance, understanding the cultural relevance and lyrical themes of popular music is part of grasping broader trends. For fans searching for “young money everygirl in the world lyrics,” this analysis provides a detailed breakdown of each verse and the overall message of the song.
