“Take The Money And Run,” a 1969 film directed by and starring Woody Allen, stands as a comedic gem in his extensive filmography. Presented in a unique mockumentary style, the movie follows the misadventures of Virgil Starkwell, a man determined to make a living as a criminal, despite being spectacularly inept at it. This film isn’t just funny; it’s a masterclass in comedic timing and farcical storytelling, making “take the money and run” a phrase synonymous with chaotic and unsuccessful attempts at illicit gains.
Virgil Starkwell’s journey is paved with comically disastrous robberies and prison escapes that defy logic and planning. Imagine attempting a bank robbery only to find another thief simultaneously targeting the same location – that’s the level of Starkwell’s misfortune. His meticulous planning sessions are often undermined by absurd situations, like discussing criminal strategies in a restaurant booth right behind unsuspecting police officers. Yet, amidst this career of comical crime, there’s a silver lining: a budding romance. During a purse-snatching attempt, Virgil falls head over heels for Louise (Janet Margolin), adding an unexpected layer of romantic comedy to the narrative. At one point, Virgil even considers abandoning his life of crime for a singing career, a whimsical thought considering his initial foray into music was through the cello – an instrument somehow linked to his criminal beginnings.
What makes “Take the Money and Run” truly exceptional is its ability to elicit genuine laughter, even in solitary viewing. The film employs a deadpan, FBI-style narration that ironically details Virgil’s consistently failing criminal endeavors. Adding to the humor are interviews with Virgil’s disguised parents, his wife, and the numerous law enforcement figures he encounters, all presented in the guise of a serious documentary.
Looking back at “Take the Money and Run” in the context of Woody Allen’s later works, such as “Match Point” released 35 years later, reveals the impressive evolution of a cinematic genius. Allen’s range, from creating rock-solid comedies to thought-provoking dramas, is undeniable. While his career has had its bumps, “Take the Money and Run” remains a testament to his enduring comedic brilliance and his knack for turning the concept of “take the money and run” into a hilariously ironic and unforgettable cinematic experience. For those seeking a truly funny movie that stands the test of time, “Take the Money and Run” is an absolute must-watch.
